• Music
  • May23

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    Kimpton Palomar Phoenix-8
    [Not for riding, but admiring: scooters in the lounge]

    The Kimpton Palomar Phoenix is just under a year old, located in the heart of downtown. If you’re not familiar with the Kimpton chain, they’re an artful collection of hotels with all the amenities, in this case including a full-service Gold’s Gym next door for guest use. As we entered the Palomar Phoenix, a pair of loaner bikes greeted us (something we’d hoped to use, but with 99 degree heat, our bodies still needed time to acclimatize from a much cooler Vancouver).

    The wifi is speedy; if you’re a Kimpton InTouch member, it’s free upon registration (as well as the $10 ‘raid the minibar’ perk). We were happy with the quiet airco system, a necessity in these parts.

    Kimpton Palomar Phoenix-3 Kimpton Palomar Phoenix-1 Kimpton Palomar Phoenix-2

    Settling into our king bed room, we looked around to spot the design details that always make staying at the Kimpton a fun experience.

    Kimpton Palomar Phoenix-5

    Little touches like a blanket with its own belt, a lamp with tree limbed-base, and quirky objects d’art add to the room’s character.

    Phoenix-4

    The Palomar Phoenix forms part of CityScape, a downtown shopping, dining, and entertainment hub. You’ll find everything from Urban Outfitters and CVS Pharmacy, to the Arrogant Butcher (a wonderful local favourite) and a frozen yogurt shop all within walking range of the hotel.

    Phoenix-1 Phoenix-2 Phoenix-7

    Hotel parking is available (self or valet). There’s light rail around the block to get around the city. Phoenix’s downtown core is pretty walkable, even in the heat. And if you’re a sports/music fan, the Palomar is right next to US Airways Center, where the Phoenix Suns, Phoenix Mercury, and Arizona Rattlers play, alongside major concert tours. We noticed that the Phoenix Convention Center and several theaters were also close by.

    US Airways Center-1

    The next venue over is Chase Field, home of MLB team Arizona Diamondbacks.

    Kimpton Palomar Phoenix-10 Kimpton Palomar Phoenix-9
    [Blue Hound Kitchen]

    A wine hour in the lobby (with free appies) leads to thoughts of dinner. We enjoyed a light meal and drinks at the Blue Hound Kitchen, where flatbreads and locally-inspired creations form the menu’s focus. Crafted cocktails and a good size gin selection left us spoiled for choice.

    Kimpton Palomar Phoenix-16
    [A punchy introduction to Phoenix]

    I started with a Midnight Punch (Batavia arrack, jasmine tea syrup, lime, and ramazotti, $10). Delicious and for me, a slow-sipping accompaniment to the endless caramel popcorn made with butterscotch and ancho chile ($6).

    Kimpton Palomar Phoenix-11

    Mixologist Shel Bourdon was nominated for the 2008 “Best Drinks Selection” and “Best Cocktail Menu” at Tales of the Cocktail in New Orleans. Last year she took the “Ultimate Slinger Standing Cocktail” award at Arizona Cocktail Week. We were in good hands thus.

    Kimpton Palomar Phoenix-12
    [Heirloom Proscuitto flatbread]

    A couple of flatbread pizzas made their way to our table: the Heirloom Proscuitto (pistachio, pecorino cheese, pesto, mizuna; $12) and the Seafood (white fish, bay scallops, shrimp, vera cruz cause, mizuna; $14). By then we’d moved on to white wine (Washington’s Gotham Project Riesling; $8/glass). The Blue Hound offers eight wines on tap, adding to the Kimpton’s sustainability picture.

    Kimpton Palomar Phoenix-18

    The bed was super comfortable. Firm mattress and soft thread count on the sheets led to a energized morning, perfect for a spot of weekend breakfast back at the Blue Hound.

    A range of egg dishes, pancakes, and sides are on offer to start the day. I was happy to see that their tea was served loose leaf (sourced from Canadian company Mighty Leaf Tea); this made combining a green with an herbal rooibos easy.

    Phoenix local duo Vinyl Station
    [Vinyl Station at the Blue Hound]

    On that morning, a local acoustic band (Vinyl Station) was performing at the lounge at the entrance to the Hound. The duo fit right in alongside a mashup of Southwest decor and furnishings.

    Kimpton Palomar Phoenix-6

    An outdoor pool and bar offers an awesome view of the city below; Privately reserved DJs and BBQ parties dotted our weekend stay. Go for the cabana if they’re available; sheltered in the shade with a local IPA, we quickly adapted to the Arizona heat.

    Kimpton Palomar Phoenix-7 Kimpton Palomar Phoenix-13

    An outgoing and helpful staff made our stay all the more pleasant. There’s so many little seating areas throughout the hotel to enjoy, it’s only a matter of finding your mood, the appropriate lighting, and a comfy designer seat.

    Kimpton Palomar Phoenix-15

    The Palomar Phoenix is located at 2 East Jefferson Street in Phoenix. Our flatbreads and drinks were hosted by Blue Hound Kitchen & Cocktails. Our room was offered at a media rate for the purpose of writing this article.

  • Apr30

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    Fringe Percussion

    NEWmatica is a riveting, site-specific, and interdisciplinary concert of new music and modern tap dance, where the venue itself is played as a musical instrument.

    Fringe Percussion

    The towering, 26-storey Mill at the Britannia Mine Museum (a National Historic Site), will serve as the venue. Vancouver-based musicians Fringe Percussion (Jonathan Bernard, Martin Fisk, Brian Nesselroad and Daniel Tones), soprano Heather Pawsey, and contemporary tap dancers Danny Nielsen and Dayna Szyndrowski will showcase their individual musical expressions – and where they intersect – through rhythm, melody, harmony, text, and audience participation.

    Fringe Percussion

    “Whenever possible, we love to engage our audiences through active participation in our concerts,” says Heather Pawsey, Artistic Director of Astrolabe Musik Theatre. “For NEWmatica, we’ve invited members of the public, through a series of workshops, to join us and literally play the Mill as a musical instrument itself in a series of musical motives used as transitions throughout the evening.”

    This one-of-a-kind presentation will feature the music of iconic American composer John Cage (Third Construction; forever and sunsmell) as well as Canadian composers André Cormier (Tableau de Backyard), Jocelyn Morlock (Darwin’s Walken Fish; Train), and internationally acclaimed Canadian composer R. Murray Schafer (Tantrika), in celebration of his 80th birthday.

    Fringe Percussion

    The Britannia Mine Museum’s Mill (one of North America’s last remaining gravity-fed concentrator mills) was chosen as a venue because of its cathedral-like height that soars into the air with 14,416 window panes. Its long and reverberant acoustic, punctuated by splashes of water trickling down its rock-face walls, allows for spatial placement that enables unamplified voice and tap to seamlessly integrate with the larger forces of a percussion quartet.

    Steel beams and girders, round wooden platforms, concrete floors, and found objects will provide a variety of opportunities for the public to play the Mill as a percussive instrument itself.

    Astrolabe Musik Theatre & the Britannia Mine Museum Co-Produce NEWmatica
    Date: May 25, 7:30 pm
    Venue: Britannia Mine Museum, Highway 99, Britannia Beach (45 min. north of Vancouver)
    Tickets: Adults, $25; students and seniors, $18 (all tickets excluding service fee); available in advance online or in person at the museum
    Dress Advisory: As the Mill is unheated, please dress warmly, with footwear suitable for uneven terrain.

    Astrolabe Musik Theatre is passionate about commissioning and performing new works by Canadian artists in non-traditional venues.

  • Apr18

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    Glenn Miller Orchestra
    [Glenn Miller Orchestra led by Nick Hilscher; photo courtesy of Glenn Miller Orchestra's website]

    New York’s legendary Glenn Miller Orchestra will perform in Vancouver for one night only this summer, bringing timeless classics such as In the Mood, Moonlight Serenade, Chattanooga Choo Choo, Pennsylvania 6-5000, String of Pearls and Tuxedo Junction back to the stage. Glenn Miller’s music is not only timeless but alive and well 75 years after the famous orchestra was founded.
     
    This is a must-see show for jazz, swing, and nostalgia fans alike. Back in the swing era of the 1930’s and 40’s, Glenn Miller was considered the most successful of all dance bandleaders.

    Producer Didier Morissonneau is proud to bring the most famous orchestra of all time to Vancouver. Newly-appointed director, the young and dynamic Nick Hilscher, will help make this show (part of a world tour) an unforgettable night.
     
    The Glenn Miller Orchestra
    Date: July 6, 8 pm
    Venue: The Orpheum, 884 Granville Street,  Vancouver
    Tickets: $52.75 and $58.75 (plus applicable charges); available online or via phoning 1.855.985.5000

  • Mar25

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    Phantom poster

    The Vancouver Bach Choir presents a multimedia world premiere with The Phantom of the Opera, a specially commissioned work from Canadian composer Andrew Downing, on Saturday, April 20 at The Orpheum.

    Les Dala
    [Les Dala]

    “Andrew‘s complex, powerful score brings fresh insight and emotion to a story that has become stitched into the fabric of our culture,” said Les Dala, Music Director of the Vancouver Bach Choir.

    He added, “The composition is a beautiful work unto itself, but becomes something very rare and special when combined with the screening. We’re excited to share the experience with our audiences and hope it will introduce some of our city’s film lovers to live classical performance.”

    The score, whose lyrics are taken from text within the film, will be performed by the Vancouver Bach Choir and a virtuoso chamber ensemble. The ensemble has been curated especially for this occasion, and will include an unusual combination of instruments including clarinet, piano, and double bass (Downing will perform on the latter).

    As one of Canada’s most inventive and multifaceted musicians, Downing has received two Juno Awards, two West Coast Music Awards, and the Grand Prix de Jazz. The award-winning works range from contemporary jazz creations to a chamber ensemble piece based on the life of Andre the Giant.

    Phantom film posters
    [1925 Phantom of the Opera film posters]

    Audience members will relive the terror, heartache, and romance of The Phantom of the Opera as a crisp print of the film is projected within the Orpheum concert hall. Released by Universal Pictures in 1925, Rupert Julian’s masterpiece is considered one of the best horror movies ever created; its success would prompt the studio to finance a legendary string of monster features including Dracula, Frankenstein, The Wolf Man, and The Mummy.

    Lon Chaney’s performance as the Phantom remains harrowing, despite nearly a century passing since that first haunting screening (at which time the famous unmasking scene was said to have made patrons faint and scream).

    Vancouver Bach Choir
    [Vancouver Bach Choir]

    As one of the largest choral organizations in Canada, the Vancouver Bach Choir explores a wide range of repertoire from the past to the present with passion and commitment. Through its series of concerts presented at the Orpheum, the VBC continues to meet its mandate of commissioning and performing works by British Columbian and Canadian composers as well as presenting the world’s favourite symphonic choral works.

    Vancouver Bach Choir presents The Phantom of the Opera
    Date: Saturday, April 20, 8 pm
    Venue: The Orpheum, 884 Granville Street, Vancouver
    Tickets: $25 to $59 (Student and senior discounts available); via online, by phoning 604-696-4290, or in person at the Orpheum Theatre Box Office (corner of Seymour and Smithe, Monday to Friday, 1 pm to 5 pm

  • Mar21

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    Richard Greenblatt and Ted Dykstra
    [Richard Greenblatt and Ted Dykstra]

    2 Pianos 4 Hands is a comedic look at two pianists thrown into a variety of situations, some quite hilarious, others close to any budding pianist’s heart. Last night, I attended the opening of Richard Greenblatt and Ted Dykstra’s musical romp, one that has become one of our country’s best-loved and most successful productions.

    The Arts Club’s Stanley Industrial Alliance Stage was beautifully set with two grand pianos and two large empty picture frames, beautifully bathed in brilliant blue light. During the course of the two-act (with one intermission) play, the two frames project various window illustrations and colours to reflect the mood of the scenes. There are many short scenes that transition nicely from piano instruction to a full-fledged music academy entrance exam session.

    Being a former piano student in my youth, I could easily relate to the drudgery of lessons, practice, patience, and at times just wanting to give up and belt out some “Chopsticks” or “Heart and Soul”.

    Ted Dykstra and Richard Greenblatt
    [Ted Dykstra and Richard Greenblatt]

    Mad finger skills and sight gags are two of Richard and Ted’s best qualities. Keep a close eye on them both as the evening progresses. They’re a riot to watch.

    Since its 1996 Toronto premiere, 2 Pianos 4 Hands has been performed over 4,000 times at 200 different theatres in Canada and around the world. Close to two million people have enjoyed the talented team to date.

    This is the duo’s farewell run. I highly recommend getting tickets for a night of comedic genius and melodic mastery. 2 Pianos 4 Hands is created, directed, and performed by Ted Dykstra and Richard Greenblatt and continues through April 14 at the Stanley Industrial Alliance Stage, 2750 Granville Street at 12th Avenue, Vancouver.

  • Mar19

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    City of Bhangra 2013/South Asian Arts Girls Team

    Colourful bhangra dancers, singers, drummers, and DJs are back for the ninth annual City of Bhangra Festival. This morning saw the media kick-off of the festival and its new-for-2013 website.

    City of Bhangra 2013 Media Launch-7

    HSBC Bank Canada will serve as title sponsor for the second year running, with their own colourful team returning to add to the lineup (auditions and rehearsals are in the works). 2013 will see more open-air events in conjunction with City of Bhangra, making this incredibly fun and lively festival more accessible to the public.

    City of Bhangra 2013/VIBC's Mo Dhaliwal City of Bhangra 2013/VIBC's Sukhi Ghuman
    [L to R: VIBC's Mo Dhaliwal and Sukhi Ghuman]

    As well, the festival’s infrastructure has changed to facilitate the hiring of a festival coordinator as well as more on-the-ground support.

    City of Bhangra 2013/VIBC's Mo Dhaliwal
    [Mo Dhaliwal kicks off opening remarks]

    HSBC is proud to partner with the Vancouver International Bhangra Celebration Society’s biggest yearly festival as their inclusive company culture comprises several diverse cultures globally. Greeting guests at the event was dhol performer Rayman Bhuller, who will proudly feature his young students during City of Bhangra. It’s hard enough to coordinate learning to play the dhol (I tried a few times during a drumming workshop held during MOV’s Bhangra.me exhibit); imagine about 30 youngsters doing it at once!

    Percussionist Rayman Bhuller
    [Percussionist Rayman Bhuller]

    As founder of Surrey’s Dhol Nation Academy, Bhuller is considered one of Canada’s most accomplished dhol players. Trained from a young age, he ran one of the largest schools for dhol instruction out of India, teaching about 750 kids over the course of eight years.

    City of Bhangra 2013/South Asian Arts Girls Team
    [South Asian Arts Girls Team]

    The South Asian Arts Girls Team entertained us as well, getting the crowd in the mood for the nine-day festival, from May 30 to June 8.

    City of Bhangra 2013/City of Vancouver Councillor Heather Deal
    [City of Vancouver Councillor Heather Deal]

    A few of the many events to look forward to include:
    Repercussion + Opening Reception
    May 30, 7:30 pm to 9 pm
    The drums of the world will find their common ground at the Milton Fei Wong Theatre, SFU Woodward’s. Israel Berriel, Paul Bray, Rayman and Karn Bhullar, Cassius Khan, Celso Machado, Liam MacDonald, Francis James and Smokey Valley Drummers, Oscar Soto, Surrey Folk Bhangra Club and EV A-Slam round out the roster of artists. Repercussion will also be held for a second night (new for the 2013 festival) at Surrey’s Art Center on June 6, from 7:30 pm to 9 pm.

    Influx at Surrey Art Gallery in coordination with VIBC
    June 1, 8 pm to 11 pm
    Influx with Media Arts Mehfil will take place at the Surrey Art Gallery. An evening of live music mash-ups, hip-hop dance battles, and art projections is just some of the entertainment in store. With performances by Mohammad Assani, DJ A-Slam, Sammy Chien, Tad Hozumi, Rup Sidhu and other special guests.

    Bhangra on Main
    June 4, 8 pm to 11 pm
    Punjabi folk traditions will be heard from artists D-Sarb and Sunil Kaylan, both recognized for their musical achievements in the Punjabi music industry. Vancouver’s beautiful Heritage Hall will be the venue, with room for only 200 people.

    JCC and SIAC
    [JCC and SIAC at 2011's Coast Capital Bhangra Competition]

    Non-Stop Bhangra
    June 7 to June 8, 10 pm to 3 am
    Vancouver Fan Club will host a late-night music, art, and dance event as the official art party for Downtown Bhangra. Special DJs bring beats and musical triumphs: DJ Harpz coming from the U.K. and DJ Anjali and The Incredible Kid from Portland, Oregon. The latter have been burning up Portland dance floors for a decade.

    Bhangra dancers

    This year’s Closing Gala is scheduled for June 8, 10 pm to midnight at the Vancouver Art Gallery. Local dance teams and DJs will perform, while several performers will show off their talent for one last time at the festival.

    Visit the City of Bhangra website for more events and ticket information. Many events are free.

  • Mar14

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    Tongue n' Cheek poster

    Come check out Tongue n’ Cheek, an evening of live entertainment like no other, featuring “Four Giants of Spoken Word and Four Queens of Sweet Soul Burlesque”. The event will be held at the Rio Theatre and hosted by Crystal Previous and Mighty Mike McGee.

    Since their inception a decade ago, Sweet Soul Burlesque has become internationally renowned as Western Canada’s longest-running, professional neo-burlesque troupe. Sweet Soul strives to break the mold by creating fun, ground-breaking burlesque performances that are of unequaled production value; a vibrant mash-up of classic striptease and elements of hip-hop, underground dance culture and punk rock.
    Read the rest of the post »

  • Mar8

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    Stile Antico

    Stile Antico’s last performance for Early Music Vancouver was “an evening of near perfection”, according to the Vancouver Sun. This spring, the ensemble returns with a rich and varied journey through the most outstanding music of the Renaissance.

    Representing 15 different composers, this program will span styles from Tudor England to the polychoral splendor of Tallis and Byrd. At the heart of the performance is John McCabe’s Woefully arrayed, a tour-de-force of choral textures written especially for Stile Antico.

    Stile Antico: The Passion of the Renaissance
    Date: April 12, 8 pm
    Venue: Chan Centre for the Performing Arts at UBC, 6265 Crescent Road, Vancouver
    Tickets: $63, $48, $32 (students & seniors $3 discount), including HST; available at the Chan Centre ticket office, via Ticketmaster online, or by phone (1-855-985-ARTS)

    Note: Rush seats for students with valid ID on sale for $10 (at the door only), starting at 7 pm on the evening of the concert.

    Stile Antico: The Passion of the Renaissance is part of Early Music Vancouver’s “Bring a Youth for Free” programme. For more information, please visit Early Music Vancouver’s Stile Antico concert event online.

  • Mar7

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    VERDI WAGNER poster

    The Vancouver Bach Choir presents a fine evening of opera with the Verdi/Wagner Bicentennial on March 23 at The Orpheum. The concert will celebrate the 200th birthdays of composers Giuseppe Verdi and Richard Wagner, two musical titans whose respective works changed the world of opera forever. Their legacies will be honoured with a dramatic program of choruses and arias.

    “Both were born in 1813 and, through opera, became musical heroes in their respective nations,” according to Leslie Dala, Music Director of the Vancouver Bach Choir. “Italy’s Verdi penned works about humans that spoke to the heart. Germany’s Wagner created tales of gods and heroes that were steeped in thought. Two-hundred years later, their works are some of the most celebrated and frequently performed operas in the world.”

    Born in a small village near Busseto, Italy, Giuseppe Verdi (1813-1901) was responsible for some of the most popular operas of all time, including Aida, La Traviata, and Rigoletto. He possessed a great gift for crafting beautiful, memorable melodies, which painted vivid emotional expressions for the lovers and monarchs who populated his operas. Though his musical contribution, he became a national hero in Italy, leading to a position as an elected senator when the country was united. Upon his death, there were scenes of national mourning unparalleled for any other composer.

    Richard Wagner (1813-1883) was a Leipzig-born composer, theatre director, and conductor, famous for constructing highly-intellectual music with complex textures and rich harmonies. His operas, which place great technical demands on singers, include such masterpieces as Lohengrin, The Ring Cycle, and Tristan und Isolde (hailed by many critics as the start of modern music). In addition to a vast oeuvre of music, Wagner’s great legacy includes the creation of The Bayreuth Festival, one of the world’s most influential music institutions.

    Though the two never met in life, their different approaches to art and music created a largely unspoken rivalry between the pair. The upcoming Vancouver Bach Choir performance will offer a very rare opportunity for audiences to hear and contrast the musicians’ distinctive brilliance side-by-side.

    Vancouver Bach Choir

    Verdi/Wagner Bicentennial will feature both the Vancouver Symphony Orchestra and soloists from the UBC Opera Ensemble. The program will include scenes from La Traviata, Il Trovatore, Rigoletto, Lohengrin, Tannhauser, and Die Meistersinger von Nürnberg, among others.

    As one of the largest choral organizations in Canada, the Vancouver Bach Choir explores a wide range of repertoire from the past to the present with passion and commitment. Through its series of concerts presented at the magnificent Orpheum Theatre, the VBC continues to meet its mandate of commissioning and performing works by British Columbian and Canadian composers while presenting the world’s favourite symphonic choral works.

    Vancouver Bach Choir presents Verdi/Wagner Bicentennial
    Date: Saturday, March 23, 8 pm
    Venue: The Orpheum, 884 Granville Street, Vancouver
    Tickets: $25 to $59 (student/senior discounts available); purchase online, by phoning 604.696.4290 or in person at the Orpheum Box Office, M to F, 1 to 5 pm

  • Mar5

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    Borodin Quartet

    The Borodin Quartet is considered one of the longest running chamber music ensembles in the world. On April 9, the Quartet will return to Vancouver with a program of Russian masterworks at the Vancouver Playhouse. The concert is part of the Friends of Chamber Music’s 2012/2013 season. The quartet, formed in the Soviet Union in 1945, is celebrated internationally for an intense, stylish (and very Russian) performance tradition, which they will apply to a program of Tchaikovsky and Shostakovich.

    “The Borodin Quartet has been performing for Friends of Chamber Music since 1964, longer than any other current ensemble,” according to Eric Wilson, program director at Friends of Chamber Music. “Though individual members have naturally changed through the years, the unique performance tradition developed by its founding members has remained remarkably undiminished. Passed down from musician to musician, the Borodin Quartet collectively maintains the same authority and power in making music as when the group first crossed the Iron Curtain to visit us.”

    The program features Piotr Ilych Tchaikovsky’s Quartet movement in B flat Major, and Dmitri Shostavokich’s Quartet No. 3 in F major, Opus 73 and Quartet No. 5 in B flat major, Opus 92.

    The ensemble’s particular affinity with Russian repertoire was stimulated by a close relationship with Dmitri Shostakovich. The Borodin Quartet performed their first North American live concert cycle of Shostakovich string quartets in Vancouver in 1969, also for Friends of Chamber Music.

    The Borodin Quartet group are four Moscow Conservatory students – one of whom, Rostropovich, would go on to be one of the 20th century’s greatest cellists. The ensemble quickly gained the attention of the country’s musical elite. In 1953, they were requested to perform at Stalin’s funeral, and they soon struck up a close partnership with composer Dmitri Shostakovich, who personally supervised their study of each of his string quartets.

    While the quartet’s roster has changed over the past 60 years, their intense and unmistakably Russian performance tradition has remained the same. The current quartet lineup includes Andrei Abramenkov, Ruben Aharonian, Igor Naidin and Vladimir Balshin.

    The Borodin Quartet
    Date: April 9, 8 pm
    Venue: Vancouver Playhouse Theatre, 600 Hamilton Street, Vancouver
    Tickets: $40 (student and membership discounts available); purchase online or at the door